Nina Levett

Surfaces, words and fireare how I make sense of the world

Nina Levett — self-portrait

Nina Levett

I design surfaces for brands that want to say something. I wrote a book about why. Now I teach artists how to stop being invisible.

About Me
Nina Levett — illustrated portrait

Building worlds on surfaces,
from day one

I grew up in Vienna between two irreconcilable parents. I studied architecture at the Angewandte, moved to Italy, had two children, fled in the night, and came back to a city that held all three of my languages.

I look at fabric, at porcelain, at walls, and I find the repeating shape hidden inside the chaos. German is where I stand, Italian is where I loved, English is where I think.

  • surface pattern design for global brands
  • collections in MAK Vienna and Museum Angerlehner
  • 457,000 monthly views on Instagram
Work

A focused and deeply personal approach

Every surface teaches something different about weight, repetition, and what survives the fire. I pour everything onto a surface, then I see what it can hold.

The book behind the work

Porcelain

Words fired into glaze at 1,200 degrees. The heat makes them permanent.

Textile

Frustrated Unpaid Mother Dress. Pattern design that says what fabric can't.

Automotive

Porsche Cayenne wrapped in surface pattern. The car became the plate.

Paper

Toilet paper, wrapping paper, morning pages. Some surfaces are meant to be thrown away.

Writing

4 million words of morning pages. One memoir. Twenty chapters. Thirty years.

Teaching

Art That Sells. For artists who need to make money and stopped waiting for permission.

Things I Burned Down to Build

Things I Burned
Down to Build

I didn't plan to write a book. I planned to record a course — 49 scripts sitting in a folder for six years. The course never happened. What happened instead was that I sat down one morning at 5 AM and started writing to a man who didn't reply.

Two thousand one hundred and ninety mornings later, I had four million words and no course. The book came out of those mornings the way honey comes out of a hive — slowly, with heat, knowing the bees did the real work.

"I had to write it because I burned people with my words. For years I wrote on porcelain plates. Then I stopped making art and aimed those 1,200-degree words directly at people. They couldn't hold what porcelain could."

  • Literary memoir — ~38,000 words, four acts, twenty chapters
  • Comp titles: Cusk's Aftermath, Smith's Just Kids, Offill's Dept. of Speculation
  • Complete manuscript — seeking representation
Contact for manuscript

The surface holds everything

Morning Pages

5 AM, every morning, for six years. Four million words before breakfast.

🎨

Surface

Porcelain, fabric, cars, walls. Every material has a breaking point.

🔥

Fire

1,200 degrees in the kiln. What survives is permanent.

📖

Book

The words that porcelain couldn't hold became a memoir.

🎓

Teach

Everything I learned about being seen, in one course.

Nina Levett leggings and planners

Wear the pattern.
Plan the chaos.

Original surface patterns — the same ones that went on Porsche Cayennes, porcelain plates, and museum walls — now on leggings you actually move in.

Plus digital planners built from how I actually work — morning pages, project tracking, the slow discipline that turned four million words into a book and a career.

  • leggings with original surface patterns
  • digital planners for creative discipline
  • same design DNA, wearable and usable
Shop now

Art That Sells

For artists who need to make money and don't feel seen. A course built from twenty years of surface pattern design, brand collaborations, and 457,000 monthly views. Plus a community of artists who stopped being invisible.

Join the community

Let's talk

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